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A photographer's haven for the lastest in digital or traditional film cameras.

Unfortunately I nave no luxury do not know.

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Please be advised that we don’t search the justifications of what cameras we own but are talking about the genetic concepts. In the best possible scenario a person should not own any camera but rent it upon the specific necessity and specific requirements.

The owning the amount of the deterrent cameras doesn’t put you in a position to reflect the Reality. The question is: what you do with those cameras. Giving to the fact that you can’t recognize the different between Canon’s and Nikon’s optics (an particularly at 70s-80s) indicates that you do not do a lot. From the different prospective don’t take me overly anal-retentive: for a normal application they both are fine cameras.

Yes, some models of Hasselblad's bodies are assembled by Fuji. A friend of mine who imports Hasselblads made very fascinating research and find the Fuji’s Hasselblads are better assembled then Sweden. Isn’t it ironic?

Regarding the Films and digital: there is a lot of more to it.

I really do not know why decided to argue about it. My intentions were not to bring the “digital quality” in my statement (though I stay behind to what I said) but to colorize the message.

*** Final question, what is "AF constriction"? The AF is getting smaller?

I was referring to the fact that the Canon Ultrasonic Line has fundamentally different constriction with all Nikon lenses. Nikon has a mechanical devise with transmits a moment from a motor within a camera to the lenses to set a focus. Canon Ultrasonic lenses receive an electrical command from a camera and have the engine locally to perform the spin. (Actually the lens' component itself is a rotor, I find it very intelligent!) This lead to the fact that all Ultrasonic Canon lenses are order of magnitude faster then the Nikon’s lenses. Frankly speaking, the only this fact would made me to love them.

Regards,
Romy the CaT


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