This insight derives from my work as a filmmaker. We try to avoid shooting exteriors with the camera looking toward the bright part of the sun and shooting in harsh, high contrast, mid-day light.
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In Reply to: and your point is?... posted by Joe M on March 25, 2006 at 07:04:29:
...I basically said I think the real solution is to take such a picture when the light is different or it is a in different relationship to the sun so that you don't have to labor in the post-production environment to save it.This insight derives from my work as a filmmaker. We try to avoid shooting exteriors with the camera looking toward the bright part of the sun and shooting in harsh, high contrast, mid-day light.
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