Shutterbug Strasse

A photographer's haven for the lastest in digital or traditional film cameras.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

Re: Now You've Completely Changed The Message:

Posted by Vinylly on July 23, 2003 at 07:18:10:
Now there is a rich contrast of black and white, -light and shade. What you see now is the 'lively' patterns of the foreground rail and the rich girder patterns of the bridge. You've made it exciting and 'arty'. This is what you see in photo salons. However you've lost Dmitry's original message, -an uncomfortable quiet dispair of isolation. Both are valid, but for different reasons. I think this is a good example of contrasting two types of photography, 'arty' salon photos vs. photo journalism. They have an impact on the viewer, but at two different levels.