this is all part of the adventure, the search for the perfect tool for the perfect shot, like the search for audio nirvana; a great odyssey.
Sinar has the mix I spoke of, though i haven't tried their software and their plastick leaves much to be desired. The M is a great idea. I'm still annoyed by the lack of quick succession shooting with their digital backs. Their eMotion22 back, their fastest, can still only do as fast as someone with a manual advance. Not to mention its other shortcomings nor to short-change their accomplishment.
I lead myself to ask another question: do i have to make my case? or is it self evident?
I suppose i'll say it again in different words: of all the commodities in the general price range there is none more tied into the whims of essentially undifferentiated commercial entities. The whole camera business seems bogus and non-sensical to me, and i'm sure i'm not alone. I can't be, can i ?
A relative's photo club teacher once said "[all a camera is, is a dark box]". And i can't for the life of me, understand why the extent of that idea seems to be pinhole cameras, and complete nonpluss-age to just about everybody else.
appologies, for length, width, girth.